| 000 -LEADER |
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| fixed length control field |
02118nam a22002897a 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20200131133541.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
191008b xxu||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780253222268 (pbk.) |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
UG |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
PQ3983 C63 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Conteh-Morgan, John |
| 245 10 - TITLE STATEMENT |
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| Title |
New Francophone African and Caribbean theatres / |
| Statement of responsibility, etc |
John Conteh-Morgan with Dominic Thomas. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
Bloomington, Indiana : |
| Name of publisher, distributor, etc |
Indiana University P., |
| Date of publication, distribution, etc |
2010. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xviii, 208 p. |
| 490 1# - SERIES STATEMENT |
|---|
| Series statement |
(African expressive cultures) |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Introduction : instrumentalizing performance and the Francophone postcolonial performative -- Cultural trauma and ritual re-membering : Werewere Liking's Les mains veulent dire -- The dramatist as epic performer : Eugène Dervain's Saran, ou la reine scélérate -- The power and the pleasures of dramatized narrative : Bernard Zadi Zaourou's La guerre des femmes -- Theatre as writing and voice : Patrick Chamoiseau's Manman dlo contre la fée carabosse -- Tradition instrumentalized : Elie Stephenson's O mayouri -- Militariat grotesqueries and tragic lament : Tchicaya u Tam'si's Le destin glorieux du maréchal nnikon nniku, prince qu'on sort and le bal de ndinga -- From the grotesque to the fantastic : Sony Labou Tansi's Qui a mangé Madame d'Avoine Bergotha? -- Exile and the failure of the nation; or, diasporic subjectivity from below : Simone Schwarz-Bart's Ton beau capitaine -- Conclusion : Francophone theatres in the age of globalization. |
| 541 ## - IMMEDIATE SOURCE OF ACQUISITION NOTE |
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| Donor |
New Era Business Enterprise |
|
|---|
| Donor |
New Era Business Enterprise |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
African drama (French) |
| General subdivision |
History and criticism. |
|
|---|
| Topical term or geographic name as entry element |
Theater |
| Geographic subdivision |
Africa, French-speaking Equatorial. |
|
|---|
| Topical term or geographic name as entry element |
Theater |
| Geographic subdivision |
Africa, French-speaking West. |
|
|---|
| Topical term or geographic name as entry element |
Caribbean drama (French) |
| General subdivision |
History and criticism. |
|
|---|
| Topical term or geographic name as entry element |
Theater |
| Geographic subdivision |
Caribbean, French-speaking. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Thomas, Dominic Richard David |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Entry Department |
TSD |
| Source of classification or shelving scheme |
|
| Acquisition - Verified |
CW/JB/LH |
| Verified |
DR |