| 000 -LEADER |
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| fixed length control field |
02262nam a22002417a 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20230726101037.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
230619b xxu||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780300234107 |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
UG |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
TR642 G78 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Grundberg, Andy |
| 245 10 - TITLE STATEMENT |
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| Title |
How photography became contemporary art : |
| Remainder of title |
inside an artistic revolution from pop to the digital age / |
| Statement of responsibility, etc |
Andy Grundberg. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
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| Place of publication, distribution, etc |
New Haven : |
| Name of publisher, distributor, etc |
Yale University P., |
| Date of publication, distribution, etc |
2021. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
ix, 286 p. : |
| Other physical details |
ill, (some col.), photos. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references. |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Introduction -- Prelude, 1962 -- Arrival -- Down to earth -- Getting the concept -- Performers, bodies, cameras -- Boom years -- Crossing over -- Video, the other newcomer -- Theory -- The image world meets the art world -- Essentials for the eighties -- Inventions of pure imagination -- Expanded terrain -- Culture wars -- Moving on -- Epilogue. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
hen Andy Grundberg landed in New York in the early 1970s as a writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the center of artistic debate. Grundberg writes about photography's "boom years," chronicling the medium's increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography's embrace by museums and galleries, as well as its politicization in the culture wars of the 80s and 90s. Grundberg reflects on the exhibitions that defined the moment and his encounters with the work of photographers--many of whom he knew personally--including Gordon Matta-Clark, Cindy Sherman, and Robert Mapplethorpe. He navigates themes such as photography's relationship to theory as well as feminism and artists of color. Part memoir and part history, this perspective ultimately tells a larger story about the decades of the 70s and 80s through the medium of photography. |
| 541 ## - IMMEDIATE SOURCE OF ACQUISITION NOTE |
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| Vendor |
YBYW |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Photography, Artistic |
| Chronological subdivision |
20th century. |
|
|---|
| Topical term or geographic name as entry element |
Art, Modern |
| Chronological subdivision |
20th century. |
|
|---|
| Topical term or geographic name as entry element |
Photography, Artistic |
| General subdivision |
History |
| Chronological subdivision |
20th century. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Entry Department |
TSDA |
| Source of classification or shelving scheme |
|
| Acquisition - Verified |
DH/JB /KP |
| Verified |
S.M |